<?xml version="1.0" encoding="utf-8"?><feed xmlns="http://www.w3.org/2005/Atom" ><generator uri="https://jekyllrb.com/" version="4.4.1">Jekyll</generator><link href="https://buddhistuniversity.net/feed/content/theravada-chanting.xml" rel="self" type="application/atom+xml" /><link href="https://buddhistuniversity.net/" rel="alternate" type="text/html" /><updated>2026-04-14T07:47:21+07:00</updated><id>https://buddhistuniversity.net/feed/content/theravada-chanting.xml</id><title type="html">The Open Buddhist University | Content | Theravāda Chanting</title><subtitle>A website dedicated to providing free, online courses and bibliographies in Buddhist Studies. </subtitle><author><name>Khemarato Bhikkhu</name><uri>https://twitter.com/buddhistuni</uri></author><entry><title type="html">Paritta: A Historical and Religious Study of the Buddhist Ceremony for Peace and Prosperity in Sri Lanka</title><link href="https://buddhistuniversity.net/content/articles/paritta-historical-and-religious-study_silva-lily-de" rel="alternate" type="text/html" title="Paritta: A Historical and Religious Study of the Buddhist Ceremony for Peace and Prosperity in Sri Lanka" /><published>2026-02-07T09:28:04+07:00</published><updated>2026-02-07T09:28:04+07:00</updated><id>https://buddhistuniversity.net/content/articles/paritta-historical-and-religious-study_silva-lily-de</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/paritta-historical-and-religious-study_silva-lily-de"><![CDATA[<blockquote>
  <p>This ceremony centres on the recitation—usually by Buddhist monks—of extracts fron the Pali Canon, collected in a text called the <em>Gatubhāṇavārapāli</em>, <em>Paritta</em> or in Siahala <em>Piruvānāpotvahanse</em>. Its objective is to ward off danger, ensure protection and bless the sponsors. 
It is prevalent in other Theravada Buddhist countries such as Burma and Thailand as well, but this work is confined to a study of the tradition preserved in Sri Lanka.</p>
</blockquote>]]></content><author><name>Lily de Silva</name><uri>https://buddhistuniversity.net/authors/desilva</uri></author><category term="articles" /><category term="sri-lankan" /><category term="theravada-roots" /><category term="form" /><category term="theravada-chanting" /><summary type="html"><![CDATA[This ceremony centres on the recitation—usually by Buddhist monks—of extracts fron the Pali Canon, collected in a text called the Gatubhāṇavārapāli, Paritta or in Siahala Piruvānāpotvahanse. Its objective is to ward off danger, ensure protection and bless the sponsors. It is prevalent in other Theravada Buddhist countries such as Burma and Thailand as well, but this work is confined to a study of the tradition preserved in Sri Lanka.]]></summary></entry><entry><title type="html">A Chant Has Nine Lives</title><link href="https://buddhistuniversity.net/content/articles/chant-has-nine-lives_walker-trent" rel="alternate" type="text/html" title="A Chant Has Nine Lives" /><published>2025-12-02T15:47:05+07:00</published><updated>2025-12-04T13:50:00+07:00</updated><id>https://buddhistuniversity.net/content/articles/chant-has-nine-lives_walker-trent</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/chant-has-nine-lives_walker-trent"><![CDATA[<blockquote>
  <p>Translators of short Buddhist chants in Southeast Asia, including Hộ Tông and his Siamese and Khmer predecessors, tend to follow three unstated principles:</p>
  <ol>
    <li>the translation may be longer than its source, but rarely vice versa</li>
    <li>even when translated into the vernacular, the Pali source ought to be retained, and</li>
    <li>the resulting bilingual Pali-vernacular chant should bring its performance practices—gestures, melodies, and rhythms—into harmony.</li>
  </ol>
</blockquote>

<blockquote>
  <p>These principles are crucial for understanding the historical processes that made the transmission of Theravada Buddhism across Southeast Asia possible.</p>
</blockquote>]]></content><author><name>Trent Walker</name><uri>https://buddhistuniversity.net/authors/walker-trent</uri></author><category term="articles" /><category term="theravada-chanting" /><category term="vietnamese" /><category term="theravada-roots" /><summary type="html"><![CDATA[Translators of short Buddhist chants in Southeast Asia, including Hộ Tông and his Siamese and Khmer predecessors, tend to follow three unstated principles: the translation may be longer than its source, but rarely vice versa even when translated into the vernacular, the Pali source ought to be retained, and the resulting bilingual Pali-vernacular chant should bring its performance practices—gestures, melodies, and rhythms—into harmony.]]></summary></entry><entry><title type="html">Living Phonologies: Khmer Pronunciations of Pali at the Nexus of Writing and Orality</title><link href="https://buddhistuniversity.net/content/articles/living-phonologies-khmer-pronunciations-of-pali_walker-trent" rel="alternate" type="text/html" title="Living Phonologies: Khmer Pronunciations of Pali at the Nexus of Writing and Orality" /><published>2025-12-01T19:02:24+07:00</published><updated>2025-12-01T19:02:24+07:00</updated><id>https://buddhistuniversity.net/content/articles/living-phonologies-khmer-pronunciations-of-pali_walker-trent</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/living-phonologies-khmer-pronunciations-of-pali_walker-trent"><![CDATA[<blockquote>
  <p>To give a precise account of how the living complexity of Pali unfolds, the findings in this article are based on the phonetic transcription and analysis of fifteen multimedia recordings of Pali liturgical chants in twentieth- and twenty-first-century Cambodia.
The range of major and minor variations in Pali pronunciation witnessed during this period, and the contentious debates behind these divergencies, open new paths for understanding the past and present of Pali as a Buddhist language.</p>
</blockquote>]]></content><author><name>Trent Walker</name><uri>https://buddhistuniversity.net/authors/walker-trent</uri></author><category term="articles" /><category term="cambodian" /><category term="pali-language" /><category term="theravada-chanting" /><summary type="html"><![CDATA[To give a precise account of how the living complexity of Pali unfolds, the findings in this article are based on the phonetic transcription and analysis of fifteen multimedia recordings of Pali liturgical chants in twentieth- and twenty-first-century Cambodia. The range of major and minor variations in Pali pronunciation witnessed during this period, and the contentious debates behind these divergencies, open new paths for understanding the past and present of Pali as a Buddhist language.]]></summary></entry><entry><title type="html">Material Evidence for Ritual Chant in Early Modern Siam: Leporello Manuscripts as Affordances for Deathbed Rites</title><link href="https://buddhistuniversity.net/content/articles/material-evidence-for-ritual-chant-in-siam_walker-t-s" rel="alternate" type="text/html" title="Material Evidence for Ritual Chant in Early Modern Siam: Leporello Manuscripts as Affordances for Deathbed Rites" /><published>2025-08-04T20:09:27+07:00</published><updated>2025-08-04T20:09:27+07:00</updated><id>https://buddhistuniversity.net/content/articles/material-evidence-for-ritual-chant-in-siam_walker-t-s</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/material-evidence-for-ritual-chant-in-siam_walker-t-s"><![CDATA[<blockquote>
  <p>deathbed practices in nineteenth-century Siam were structured to flow seamlessly from chanting for the dying to chanting for the dead, a sequence reflected in the physical layout of the manuscripts themselves.</p>
</blockquote>]]></content><author><name>Trent Walker</name><uri>https://buddhistuniversity.net/authors/walker-trent</uri></author><category term="articles" /><category term="death" /><category term="bart" /><category term="thai-art" /><category term="paper" /><category term="historiography" /><category term="theravada-chanting" /><summary type="html"><![CDATA[deathbed practices in nineteenth-century Siam were structured to flow seamlessly from chanting for the dying to chanting for the dead, a sequence reflected in the physical layout of the manuscripts themselves.]]></summary></entry><entry><title type="html">Buddhist Militarism Beyond Texts: The Importance of Ritual During the Sri Lankan Civil War</title><link href="https://buddhistuniversity.net/content/articles/buddhist-militarism-beyond-texts_frydenlund-iselin" rel="alternate" type="text/html" title="Buddhist Militarism Beyond Texts: The Importance of Ritual During the Sri Lankan Civil War" /><published>2025-03-28T12:44:09+07:00</published><updated>2025-03-31T07:24:10+07:00</updated><id>https://buddhistuniversity.net/content/articles/buddhist-militarism-beyond-texts_frydenlund-iselin</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/buddhist-militarism-beyond-texts_frydenlund-iselin"><![CDATA[<blockquote>
  <p>What happens to the meaning of Buddhist rituals in military spaces?
Do the military confines and the political context alter the meaning of “non-violent” rituals? Can they become “violent” rituals?</p>
</blockquote>

<p>During the Sri Lankan civil war, some extremist Buddhist monks espoused an explicitly violent “just war” ideology.
While the majority of Sinhala monks did not go that far, they still demonstrated their support indirectly, through e.g. the chanting of <em>pirit</em>s before major battles.</p>]]></content><author><name>Iselin Frydenlund</name></author><category term="articles" /><category term="vinaya-studies" /><category term="monastic-theravada" /><category term="theravada-chanting" /><category term="extremism" /><category term="war" /><category term="sri-lankan" /><summary type="html"><![CDATA[What happens to the meaning of Buddhist rituals in military spaces? Do the military confines and the political context alter the meaning of “non-violent” rituals? Can they become “violent” rituals?]]></summary></entry><entry><title type="html">The Dhammakāya texts and their ritual usages in Cambodia and northern Thailand</title><link href="https://buddhistuniversity.net/content/articles/dhammakaya-texts-ritual-usages-in-cambodia-northern-thailand_malasart-woramat" rel="alternate" type="text/html" title="The Dhammakāya texts and their ritual usages in Cambodia and northern Thailand" /><published>2025-03-24T16:49:04+07:00</published><updated>2025-03-24T16:49:04+07:00</updated><id>https://buddhistuniversity.net/content/articles/dhammakaya-texts-ritual-usages-in-cambodia-northern-thailand_malasart-woramat</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/dhammakaya-texts-ritual-usages-in-cambodia-northern-thailand_malasart-woramat"><![CDATA[<p>Dhammakāya texts in Cambodia and northern Thailand are a genre of Pāli text that list and explain the physical and metaphysical characteristics of the Buddha.
These texts are frequently chanted to consecrate Buddha images.</p>]]></content><author><name>Woramat Malasart</name></author><category term="articles" /><category term="theravada-chanting" /><category term="cambodian" /><summary type="html"><![CDATA[Dhammakāya texts in Cambodia and northern Thailand are a genre of Pāli text that list and explain the physical and metaphysical characteristics of the Buddha. These texts are frequently chanted to consecrate Buddha images.]]></summary></entry><entry><title type="html">Tigumbacetiyathomanā: Praise of the Tigumba Shrine</title><link href="https://buddhistuniversity.net/content/booklets/praise-of-the-tigumba-shrine_anandajoti" rel="alternate" type="text/html" title="Tigumbacetiyathomanā: Praise of the Tigumba Shrine" /><published>2025-03-08T09:42:54+07:00</published><updated>2025-03-08T09:42:54+07:00</updated><id>https://buddhistuniversity.net/content/booklets/praise-of-the-tigumba-shrine_anandajoti</id><content type="html" xml:base="https://buddhistuniversity.net/content/booklets/praise-of-the-tigumba-shrine_anandajoti"><![CDATA[<p>A line-by-line Pāli and English version of a chanting text from Myanmar praises the Shwedagon Pagoda, showcasing the variations in the Siloka metre.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="booklets" /><category term="theravada-chanting" /><category term="pali-metre" /><category term="burmese" /><summary type="html"><![CDATA[A line-by-line Pāli and English version of a chanting text from Myanmar praises the Shwedagon Pagoda, showcasing the variations in the Siloka metre.]]></summary></entry><entry><title type="html">Vandana Book: Homage to the Buddha, Dhamma and Sangha in Pali, Sinhala, and English</title><link href="https://buddhistuniversity.net/content/reference/vandana" rel="alternate" type="text/html" title="Vandana Book: Homage to the Buddha, Dhamma and Sangha in Pali, Sinhala, and English" /><published>2025-03-03T08:42:26+07:00</published><updated>2025-03-03T08:42:26+07:00</updated><id>https://buddhistuniversity.net/content/reference/vandana</id><content type="html" xml:base="https://buddhistuniversity.net/content/reference/vandana"><![CDATA[<p>A trilingual compilation of devotional hymns, vows, and meditations for chanting from the Sri Lankan tradition.</p>]]></content><category term="reference" /><category term="theravada-chanting" /><category term="sri-lankan" /><summary type="html"><![CDATA[A trilingual compilation of devotional hymns, vows, and meditations for chanting from the Sri Lankan tradition.]]></summary></entry><entry><title type="html">Namakkārapāḷi saha Saṅkhepayojanā: The Reverence Text with the Short Word-Commentary</title><link href="https://buddhistuniversity.net/content/booklets/namakkarapali-saha-sankhepayojana_anandajoti" rel="alternate" type="text/html" title="Namakkārapāḷi saha Saṅkhepayojanā: The Reverence Text with the Short Word-Commentary" /><published>2025-02-28T09:39:08+07:00</published><updated>2025-02-28T09:46:33+07:00</updated><id>https://buddhistuniversity.net/content/booklets/namakkarapali-saha-sankhepayojana_anandajoti</id><content type="html" xml:base="https://buddhistuniversity.net/content/booklets/namakkarapali-saha-sankhepayojana_anandajoti"><![CDATA[<p>This is a translation by Bhikkhu Anandajoti of The Namakkārapāli, a revered Buddhist text from Myanmar that consists of 28 verses, each written in different meters, praising the Buddha.</p>

<p>The translation includes the Pāli word commentary.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="booklets" /><category term="buddha" /><category term="pali-readers" /><category term="theravada-chanting" /><category term="burmese" /><summary type="html"><![CDATA[This is a translation by Bhikkhu Anandajoti of The Namakkārapāli, a revered Buddhist text from Myanmar that consists of 28 verses, each written in different meters, praising the Buddha.]]></summary></entry><entry><title type="html">Mettabhāvanā: Friendliness Meditation (A Sri Lankan Chant)</title><link href="https://buddhistuniversity.net/content/booklets/mettabhavana_anandajoti" rel="alternate" type="text/html" title="Mettabhāvanā: Friendliness Meditation (A Sri Lankan Chant)" /><published>2025-02-07T20:06:26+07:00</published><updated>2025-02-07T20:06:26+07:00</updated><id>https://buddhistuniversity.net/content/booklets/mettabhavana_anandajoti</id><content type="html" xml:base="https://buddhistuniversity.net/content/booklets/mettabhavana_anandajoti"><![CDATA[<p>A Pāli and English line by line (interlinear) version of a short chant wishing well to all beings based on the Visuddhimagga: starting close and working out.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="booklets" /><category term="brahmavihara" /><category term="theravada-chanting" /><category term="sri-lankan" /><summary type="html"><![CDATA[A Pāli and English line by line (interlinear) version of a short chant wishing well to all beings based on the Visuddhimagga: starting close and working out.]]></summary></entry><entry><title type="html">Dharma Dogs: Can Animals Understand the Dharma? Textual and Ethnographic Considerations</title><link href="https://buddhistuniversity.net/content/articles/can-animals-understand-the-dharma_stewart-james" rel="alternate" type="text/html" title="Dharma Dogs: Can Animals Understand the Dharma? Textual and Ethnographic Considerations" /><published>2024-07-14T14:01:04+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/articles/can-animals-understand-the-dharma_stewart-james</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/can-animals-understand-the-dharma_stewart-james"><![CDATA[<blockquote>
  <p>Lacking understanding, merely hearing the Dhamma may only grant a better rebirth,
but even a better rebirth provides the condition for future enlightenment.</p>
</blockquote>

<p>This article delves into the question of whether animals can benefit from hearing the Dharma.
The author examines how animals might be influenced by the Dharma and explores broader questions related to the practice and impact of “hearing the Dharma.”</p>]]></content><author><name>James Stewart</name></author><category term="articles" /><category term="theravada-chanting" /><category term="animals" /><summary type="html"><![CDATA[Lacking understanding, merely hearing the Dhamma may only grant a better rebirth, but even a better rebirth provides the condition for future enlightenment.]]></summary></entry><entry><title type="html">AN 3.155 Pubbaṇha Sutta: Morning</title><link href="https://buddhistuniversity.net/content/canon/an3.155" rel="alternate" type="text/html" title="AN 3.155 Pubbaṇha Sutta: Morning" /><published>2024-07-12T13:15:01+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/canon/an.003.155</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/an3.155"><![CDATA[<blockquote>
  <p>have a good morning</p>
</blockquote>]]></content><author><name>Bhante Sujato</name><uri>https://buddhistuniversity.net/authors/sujato</uri></author><category term="canon" /><category term="time" /><category term="an" /><category term="theravada-chanting" /><summary type="html"><![CDATA[have a good morning]]></summary></entry><entry><title type="html">SN 46.16 Tatiya Gilāna Sutta: The Third Discourse on Illness</title><link href="https://buddhistuniversity.net/content/canon/sn46.16" rel="alternate" type="text/html" title="SN 46.16 Tatiya Gilāna Sutta: The Third Discourse on Illness" /><published>2024-05-23T12:32:21+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/canon/sn.046.016</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/sn46.16"><![CDATA[<p>When the Buddha was sick, Mahācunda recited for him the awakening factors.</p>]]></content><author><name>Bhikkhu Bodhi</name><uri>https://buddhistuniversity.net/authors/bodhi</uri></author><category term="canon" /><category term="form" /><category term="pali-canon" /><category term="iddhi" /><category term="buddha" /><category term="sn" /><category term="theravada-chanting" /><summary type="html"><![CDATA[When the Buddha was sick, Mahācunda recited for him the awakening factors.]]></summary></entry><entry><title type="html">Dhammapuja</title><link href="https://buddhistuniversity.net/content/av/dhammapuja" rel="alternate" type="text/html" title="Dhammapuja" /><published>2023-04-23T16:34:39+07:00</published><updated>2023-06-01T21:02:00+07:00</updated><id>https://buddhistuniversity.net/content/av/dhammapuja</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/dhammapuja"><![CDATA[<p>An online karaoke version of the most popular chants of the Thai Forest Tradition in Pāli and English.</p>]]></content><author><name>Mark Tutton</name></author><category term="av" /><category term="theravada-chanting" /><category term="theravada" /><summary type="html"><![CDATA[An online karaoke version of the most popular chants of the Thai Forest Tradition in Pāli and English.]]></summary></entry><entry><title type="html">Pāli Words Pronounced</title><link href="https://buddhistuniversity.net/content/av/pali-pronunciation_khan" rel="alternate" type="text/html" title="Pāli Words Pronounced" /><published>2023-04-08T14:22:18+07:00</published><updated>2023-04-08T14:22:18+07:00</updated><id>https://buddhistuniversity.net/content/av/pali-pronunciation_khan</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/pali-pronunciation_khan"><![CDATA[<p>Nearly a thousand Pāli words recorded by a professor of South Asian phonetics.</p>]]></content><author><name>Sameer ud Dowla Khan</name></author><category term="av" /><category term="theravada-chanting" /><category term="pali-language" /><summary type="html"><![CDATA[Nearly a thousand Pāli words recorded by a professor of South Asian phonetics.]]></summary></entry><entry><title type="html">SN 56.11 Dhammacakkappavattana Sutta: The Discourse on Setting in Motion the Wheel of the Dhamma</title><link href="https://buddhistuniversity.net/content/canon/sn56.11" rel="alternate" type="text/html" title="SN 56.11 Dhammacakkappavattana Sutta: The Discourse on Setting in Motion the Wheel of the Dhamma" /><published>2022-02-10T14:48:57+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/canon/sn.056.011</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/sn56.11"><![CDATA[<p>The Buddha’s first discourse.</p>

<p>Note: The PDF linked above is from <a href="https://suttacentral.net/sn56.11/en/bodhi">Bhikkhu Bodhi’s translation, courtesy of SuttaCentral</a>.</p>]]></content><author><name>Ven. Kiribathgoda Gnanananda Thero</name></author><category term="canon" /><category term="sn" /><category term="navakovada" /><category term="theravada-chanting" /><category term="ebts" /><category term="function" /><summary type="html"><![CDATA[The Buddha’s first discourse.]]></summary></entry><entry><title type="html">SN 48.10 Indriya Vibhaṅga Sutta: The Second Discourse Giving an Analysis of the Faculties</title><link href="https://buddhistuniversity.net/content/canon/sn48.10" rel="alternate" type="text/html" title="SN 48.10 Indriya Vibhaṅga Sutta: The Second Discourse Giving an Analysis of the Faculties" /><published>2022-01-04T21:38:00+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/canon/sn.048.010</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/sn48.10"><![CDATA[<blockquote>
  <p>The Faculty of Faith, the Faculty of Energy, the Faculty of Mindfulness, the Faculty of Concentration, the Faculty of Wisdom.</p>
</blockquote>

<p>A sutta good to contemplate or chant, the analysis of the five spiritual faculties provides a fascinating alternative perspective on the path to awakening.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="canon" /><category term="sn" /><category term="theravada-chanting" /><category term="path" /><summary type="html"><![CDATA[The Faculty of Faith, the Faculty of Energy, the Faculty of Mindfulness, the Faculty of Concentration, the Faculty of Wisdom.]]></summary></entry><entry><title type="html">Khuddakapāṭha: The Short Readings</title><link href="https://buddhistuniversity.net/content/canon/kd" rel="alternate" type="text/html" title="Khuddakapāṭha: The Short Readings" /><published>2022-01-04T21:38:00+07:00</published><updated>2025-05-28T16:11:48+07:00</updated><id>https://buddhistuniversity.net/content/canon/kd</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/kd"><![CDATA[<p>The first book of the Khuddaka Nikāya, the Khuddakapāṭha was, in ancient times, a daily liturgy for novice monks.</p>

<p>Its selection of chants is still influential in Theravāda liturgies today.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="canon" /><category term="kn" /><category term="theravada" /><category term="theravada-chanting" /><category term="indian" /><category term="navakovada" /><category term="canonical-poetry" /><summary type="html"><![CDATA[The first book of the Khuddaka Nikāya, the Khuddakapāṭha was, in ancient times, a daily liturgy for novice monks.]]></summary></entry><entry><title type="html">AN 10.60 Girimānanda Sutta: The Discourse to Girimānanda</title><link href="https://buddhistuniversity.net/content/canon/an10.60" rel="alternate" type="text/html" title="AN 10.60 Girimānanda Sutta: The Discourse to Girimānanda" /><published>2022-01-04T21:38:00+07:00</published><updated>2024-11-12T07:10:06+07:00</updated><id>https://buddhistuniversity.net/content/canon/an.010.060</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/an10.60"><![CDATA[<blockquote>
  <p>… having heard these ten perceptions, venerable Girimānanda’s afliction immediately abated</p>
</blockquote>

<p>A profound discourse on Vipassana meditation in an apotropaic frame.</p>]]></content><author><name>Bhikkhu Ānandajoti</name><uri>https://buddhistuniversity.net/authors/anandajoti</uri></author><category term="canon" /><category term="an" /><category term="vipassana" /><category term="theravada-roots" /><category term="theravada-chanting" /><summary type="html"><![CDATA[… having heard these ten perceptions, venerable Girimānanda’s afliction immediately abated]]></summary></entry><entry><title type="html">The Sambuddhe Verses and later Theravādin Buddhology</title><link href="https://buddhistuniversity.net/content/articles/sambuddhe-verses_skilling" rel="alternate" type="text/html" title="The Sambuddhe Verses and later Theravādin Buddhology" /><published>2021-09-03T10:19:32+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/articles/sambuddhe-verses_skilling</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/sambuddhe-verses_skilling"><![CDATA[<blockquote>
  <p>With my head I pay homage to the 512,028 Sambuddhas</p>
</blockquote>

<p>How did the Theravadins come up with this figure?</p>]]></content><author><name>Peter Skilling</name><uri>https://buddhistuniversity.net/authors/skilling</uri></author><category term="articles" /><category term="paritta" /><category term="cosmology" /><category term="bodhisatta" /><category term="theravada-chanting" /><summary type="html"><![CDATA[With my head I pay homage to the 512,028 Sambuddhas]]></summary></entry><entry><title type="html">Reviving the Buddha: The Use of the Devotional Ritual of Buddha-Vandanā in the Modernization of Buddhism in Colonial Sri Lanka</title><link href="https://buddhistuniversity.net/content/articles/reviving-the-buddha_pemaratana-soorakkulame" rel="alternate" type="text/html" title="Reviving the Buddha: The Use of the Devotional Ritual of Buddha-Vandanā in the Modernization of Buddhism in Colonial Sri Lanka" /><published>2021-06-18T06:41:58+07:00</published><updated>2025-02-21T05:34:31+07:00</updated><id>https://buddhistuniversity.net/content/articles/reviving-the-buddha_pemaratana-soorakkulame</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/reviving-the-buddha_pemaratana-soorakkulame"><![CDATA[<blockquote>
  <p>… the evidence found in early printed liturgical booklets that promote Buddha-vandanā points to a different kind of modernization. This article reveals how Buddhist activists in the late nineteenth and early twentieth centuries made use of the capabilities presented in the colonial context, including print technology, to promote this devotional ritual practice as a principal marker of a newly constructed Buddhist identity.</p>
</blockquote>]]></content><author><name>Soorakkulame Pemaratana</name></author><category term="articles" /><category term="sri-lankan" /><category term="theravada-chanting" /><category term="form" /><category term="paper" /><category term="communication" /><category term="modern" /><summary type="html"><![CDATA[… the evidence found in early printed liturgical booklets that promote Buddha-vandanā points to a different kind of modernization. This article reveals how Buddhist activists in the late nineteenth and early twentieth centuries made use of the capabilities presented in the colonial context, including print technology, to promote this devotional ritual practice as a principal marker of a newly constructed Buddhist identity.]]></summary></entry><entry><title type="html">The Mirror of the Dhamma: A Manual of Buddhist Chanting and Devotional Texts</title><link href="https://buddhistuniversity.net/content/booklets/mirror-of-the-dhamma_narada-kassapa" rel="alternate" type="text/html" title="The Mirror of the Dhamma: A Manual of Buddhist Chanting and Devotional Texts" /><published>2020-10-29T16:35:43+07:00</published><updated>2024-11-12T10:51:57+07:00</updated><id>https://buddhistuniversity.net/content/booklets/mirror-of-the-dhamma_narada-kassapa</id><content type="html" xml:base="https://buddhistuniversity.net/content/booklets/mirror-of-the-dhamma_narada-kassapa"><![CDATA[<p>A collection of Buddhist devotional chants common in Sri Lanka.</p>]]></content><author><name>Ven Nārada Mahāthera</name><uri>https://buddhistuniversity.net/authors/narada</uri></author><category term="booklets" /><category term="theravada-chanting" /><category term="sri-lankan" /><category term="theravada" /><summary type="html"><![CDATA[A collection of Buddhist devotional chants common in Sri Lanka.]]></summary></entry><entry><title type="html">Chanting</title><link href="https://buddhistuniversity.net/content/booklets/chanting_aloka-vihara" rel="alternate" type="text/html" title="Chanting" /><published>2020-10-27T17:18:08+07:00</published><updated>2025-05-28T16:11:48+07:00</updated><id>https://buddhistuniversity.net/content/booklets/chanting_aloka-vihara</id><content type="html" xml:base="https://buddhistuniversity.net/content/booklets/chanting_aloka-vihara"><![CDATA[<p>The devotional used for daily chanting at Āloka and Karuṇā Vihāras in California, derived from the Thai style and adapted for use by the American Bhikkhunis.</p>

<p>With the exception of the Heart Sutra (and certain Pāli phrases in their feminine variants) this book represents a fairly typical Theravāda chanting manual.</p>]]></content><author><name>Āloka Vihāra</name></author><category term="booklets" /><category term="californian" /><category term="theravada-chanting" /><category term="theravada" /><summary type="html"><![CDATA[The devotional used for daily chanting at Āloka and Karuṇā Vihāras in California, derived from the Thai style and adapted for use by the American Bhikkhunis.]]></summary></entry><entry><title type="html">AN 3.70 Uposatha Sutta: Sabbath</title><link href="https://buddhistuniversity.net/content/canon/an3.70" rel="alternate" type="text/html" title="AN 3.70 Uposatha Sutta: Sabbath" /><published>2020-08-08T14:19:01+07:00</published><updated>2024-11-12T07:00:09+07:00</updated><id>https://buddhistuniversity.net/content/canon/an.003.070</id><content type="html" xml:base="https://buddhistuniversity.net/content/canon/an3.70"><![CDATA[<p>The Buddha describes how a lay Buddhist should keep a sabbath day: by recollecting the triple gem together with the gods and by keeping the moral precepts beloved and kept by the noble ones.</p>]]></content><author><name>Bhante Sujato</name><uri>https://buddhistuniversity.net/authors/sujato</uri></author><category term="canon" /><category term="an" /><category term="theravada-chanting" /><category term="deva" /><category term="uposatha" /><category term="ethics" /><category term="faith" /><category term="sangha" /><summary type="html"><![CDATA[The Buddha describes how a lay Buddhist should keep a sabbath day: by recollecting the triple gem together with the gods and by keeping the moral precepts beloved and kept by the noble ones.]]></summary></entry><entry><title type="html">Why Chant?</title><link href="https://buddhistuniversity.net/content/av/why-chant_brahm" rel="alternate" type="text/html" title="Why Chant?" /><published>2020-07-31T10:07:25+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/av/why-chant_brahm</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/why-chant_brahm"><![CDATA[<p>Ajahn Brahm explains why he does Pali chanting.</p>]]></content><author><name>Ajahn Brahm</name><uri>https://buddhistuniversity.net/authors/brahm</uri></author><category term="av" /><category term="nibbana" /><category term="theravada" /><category term="faith" /><category term="theravada-chanting" /><summary type="html"><![CDATA[Ajahn Brahm explains why he does Pali chanting.]]></summary></entry><entry><title type="html">Oral Dimensions of Pāli Discourses: Pericopes, Other Mnemonic Techniques and the Oral Performance Context</title><link href="https://buddhistuniversity.net/content/articles/oral-dimensions-of-pali_analayo" rel="alternate" type="text/html" title="Oral Dimensions of Pāli Discourses: Pericopes, Other Mnemonic Techniques and the Oral Performance Context" /><published>2020-07-22T10:09:33+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/articles/oral-dimensions-of-pali_analayo</id><content type="html" xml:base="https://buddhistuniversity.net/content/articles/oral-dimensions-of-pali_analayo"><![CDATA[<p>Examines the literary style of the Pāli Canon and explains how its textual features are a product of its performative context.</p>]]></content><author><name>Bhikkhu Anālayo</name><uri>https://buddhistuniversity.net/authors/analayo</uri></author><category term="articles" /><category term="pericope" /><category term="indian" /><category term="theravada-chanting" /><category term="theravada-roots" /><category term="pali-canon" /><summary type="html"><![CDATA[Examines the literary style of the Pāli Canon and explains how its textual features are a product of its performative context.]]></summary></entry><entry><title type="html">Loving Kindness Chant</title><link href="https://buddhistuniversity.net/content/av/loving-kindness-chant_abhayagiri" rel="alternate" type="text/html" title="Loving Kindness Chant" /><published>2020-03-08T16:58:36+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/av/loving-kindness-chant_abhayagiri</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/loving-kindness-chant_abhayagiri"><![CDATA[<p>The monks from Abhayagiri chanting the much beloved sutta on Loving-Kindness: <a href="/content/canon/snp1.8">Snp1.8</a>.</p>]]></content><author><name>Abhayagiri Monastery</name><uri>https://buddhistuniversity.net/authors/abhayagiri</uri></author><category term="av" /><category term="snp" /><category term="west" /><category term="theravada-chanting" /><category term="buddhism" /><summary type="html"><![CDATA[The monks from Abhayagiri chanting the much beloved sutta on Loving-Kindness: Snp1.8.]]></summary></entry><entry><title type="html">The Highest Blessings Chant</title><link href="https://buddhistuniversity.net/content/av/highest-blessings_abhayagiri" rel="alternate" type="text/html" title="The Highest Blessings Chant" /><published>2020-03-08T16:58:36+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/av/highest-blessings_abhayagiri</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/highest-blessings_abhayagiri"><![CDATA[<p>The monks of Abhayagiri chanting the canonical poem on life’s highest blessings <a href="/content/canon/khp5">from the Khp</a>.</p>]]></content><author><name>Abhayagiri Monastery</name><uri>https://buddhistuniversity.net/authors/abhayagiri</uri></author><category term="av" /><category term="form" /><category term="theravada" /><category term="theravada-chanting" /><category term="american" /><category term="lay" /><category term="khp" /><category term="world" /><category term="buddhism" /><summary type="html"><![CDATA[The monks of Abhayagiri chanting the canonical poem on life’s highest blessings from the Khp.]]></summary></entry><entry><title type="html">Bojjhanga Suttas</title><link href="https://buddhistuniversity.net/content/av/bojjhanga-suttas_dhammaruwan" rel="alternate" type="text/html" title="Bojjhanga Suttas" /><published>2020-03-08T16:58:36+07:00</published><updated>2024-09-24T14:48:08+07:00</updated><id>https://buddhistuniversity.net/content/av/bojjhanga-suttas_dhammaruwan</id><content type="html" xml:base="https://buddhistuniversity.net/content/av/bojjhanga-suttas_dhammaruwan"><![CDATA[<p>In the early 1970s, a young Sri Lankan boy named Dhammaruwan spontaneously recalled huge amounts of Pāli chanting. Eventually, his father gave the boy a tape recorder, and this haunting, beautiful chant was recorded some evening later. Recently, textual scholarship by Analayo Bhikkhu has suggested the memory may be from over a thousand years ago (see <a href="https://wisdomexperience.org/product/rebirth-early-buddhism-and-current-research/"><em>Rebirth in Early Buddhism</em></a>).</p>]]></content><author><name>Dhammaruwan</name><uri>https://buddhistuniversity.net/authors/dhammaruwan</uri></author><category term="av" /><category term="theravada-chanting" /><category term="form" /><summary type="html"><![CDATA[In the early 1970s, a young Sri Lankan boy named Dhammaruwan spontaneously recalled huge amounts of Pāli chanting. Eventually, his father gave the boy a tape recorder, and this haunting, beautiful chant was recorded some evening later. Recently, textual scholarship by Analayo Bhikkhu has suggested the memory may be from over a thousand years ago (see Rebirth in Early Buddhism).]]></summary></entry></feed>