This essay focuses on Albert J. Edmunds, a British-American Buddhist sympathizer, and it considers the ways that Western occult traditions, especially Swedenborgianism, moved back and forth across the Pacific and shaped the work of D. T. Suzuki.
This essay focuses on Albert J. Edmunds, a British-American Buddhist sympathizer, and it considers the ways that Western occult traditions, especially Swedenborgianism, moved back and forth across the Pacific and shaped the work of D. T. Suzuki.