An annual, joint publication of the Freer Gallery of Asian Art at the Smithsonian and the University of Michigan’s History of Art Department.
Articles Featured in our Library:
Dōgen’s calligraphy is a carefully orchestrated performance. That is, it does precisely what it asks its readers to do: it sits calmly, evenly, and at poised attention in a real-world field of objects. The manuscript’s brushstrokes and entire aesthetic layout enact seated meditation.
As a sacred site for pilgrimage, Bodhgayā became even more prominent from the sixth and seventh centuries onward, when the rebuilding of the Mahābodhi Temple coincided with the installation of a Buddha statue with the earth-touching gesture, symbolic of the Buddha’s calling upon the earth to bear witness to his victory over evil. Miracles enshroud the creation of the image itself, and later it became a famous icon widely copied throughout the Buddhist world.